The Wiggly Universe of Steve Smith

The ramblings, thoughts and events from the day to day life of the artist Steve Smith
 
 

Archive for January, 2008

Post No. 13

• January 31, 2008 • Comments Off

Posted in Daily Events
Tags: Pandora, Petaluma, Soloflex, Steve Smith


Post No. 12

• January 29, 2008 • Comments Off

Posted in Daily Events
Tags: alchemy of reuse, breakfast, Garlic, grunge, jennifer hirshfield, Josh and Amanda, Pandora, santa rosa, Sebastopol Center for the Arts, Steve Smith, tea


Post 11

• January 26, 2008 • Comments Off

Posted in Daily Events
Tags: Flamingo Resort and Spa, Ghost Ship a Surrealist Love Triangle, Perkins, Steve Smith, Surrealism


Post No. 10

• January 25, 2008 • Comments Off

Posted in Daily Events
Tags: Collograph, Kay Sage, Leonore Carrington, Picasso, Steve and Debbie, Surreal Lives


Post No.9

• January 23, 2008 • Comments Off

Posted in Daily Events
Tags: Bongo Fury, Captain Beefheart, Debbie, Dylan, Steve Smith, Studio, Zappa


Post No.8

• January 20, 2008 • Comments Off

Posted in Daily Events
Tags: Collograph, Following Sean, Laguna, Steve Smith


Post No.7

• January 18, 2008 • Comments Off

Posted in Daily Events
Tags: Amanda, Ancient City, Barnaby Conrad, California style pizza, Debbie and Steve, Helvetica, Ken Berman, Northen Exposure, Sebastopol Cookie Company, Steve Smith, Tom Waits, Van


Post No. 6

• January 17, 2008 • Comments Off

Posted in Daily Events
Tags: Art in Theory 1900-1990, Debbie, Decalcomania, Dream Matter, Kay Sage, Max Ernst, Otto Rapp, Steve Smith, Surreal Lives, The Hearing Trumpet, VW Van


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  • The Way Back Network is Now Open!!
    UPDATE: The Way Back Machine will be undergoing a drastic redesign in the up coming months and during that time I will not be posting anything. Much of my time is now spent working on The Way Back Community over at Ning. Stop by and visit the site and join if you are interested in what [...]

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  • In the Studio Today
    Photo of the Dream Matter section I am working on today.

Rollo May / The Courage to Create

"Creativity arises out of the tension between spontaneity and limitations, the latter (like the river banks) forcing the spontaneity into the various forms which are essential to the work of art or poem."

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Alberto Giacometti:

The object of art is not to reproduce reality, but to create a reality of the same intensity.
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  • Alan Watts/Zen Bones

    Now imagine this. Imagine you're seeing it. Like you see aureoles around buddhas. Like you see the beatific vision at the end of Dante's 'Paradiso.' Vivid, vivid light, so bright that it is like the clear light of the void in the Tibetan Book of the Dead. It's beyond light, it's so bright. And you watch it receeding from you. And on the edges, like a great star, there becomes a rim of red. And beyond that, a rim of orange, yellow, green, blue, indigo, violet. You see this great mandela appearing this great sun, and beyond the violet, there's black. Black, like obsidian, not flat black, but transparent black, like lacquer. And again, blazing out of the black, as the _yang_ comes from the _yin_, more light. Going, going, going. And along with this light, there comes sound. There is a sound so tremendous with the white light that you can't hear it, so piercing that it seems to annihilate the ears. But then along with the colors, the sound goes down the scale in harmonic intervals, down, down, down, down, until it gets to a deep thundering base which is so vibrant that it turns into something solid, and you begin to get the similar spectrum of textures. Now all this time, you've been watching a kind of thing radiating out. 'But,' it says, 'you know, this isn't all I can do,' and the rays start dancing like this, and the sound starts waving, too, as it comes out, and the textures start varying themselves, and they say, well, you've been looking at this this as I've been describing it so far in a flat dimension. Let's add a third dimension; it's going to come right at you now. And meanwhile, it says, we're not going to just do like this, we're going to do little curlicues. And it says, 'well, that's just the beginning!' Making squares and turns, and then suddenly you see in all the little details that become so intense, that all kinds of little subfigures are contained in what you originally thought were the main figures, and the sound starts going all different, amazing complexities if sound all over the place, and this thing's going, going, going, and you think you're going to go out of your mind, when suddenly it turns into... Why, us, sitting around here. ~Alan Watts "Zen Bones"

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    Rene Magritte

    " My painting is visible images which conceal nothing.. they evoke mystery and indeed when one sees one of my pictures, one asks oneself this simple question 'What does that mean'? It does not mean anything, because mystery means nothing either, it is unknowable."

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    Francis Bacon

    "All painting is an accident. But it's also not an accident, because one must select what part of the accident one chooses to preserve."
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